Bob Dylan: Plugged In by Music, Powered by IPR 2024-07-23

The image is iconic: Bob Dylan, bathed in stage lights, his harmonica silent, a band wailing behind him, electric guitars buzzing with newfound energy. This wasn't just a performance on July 25th, 1965, at the Newport Folk Festival; it was a cultural revolution. But beyond the music, a lesser-known story unfolds – a story of intellectual property rights (IPR) and how they shaped this pivotal moment.
 
 
Songs are the lifeblood of musicians, and Dylan's were no different. The compositions themselves, the lyrics and melodies, were protected by copyright. This copyright grants Dylan control over who can reproduce, distribute, perform, or adapt his work. When he took the stage at Newport, the underlying copyright on his songs remained unchanged, even with the electric makeover. "Blowin' in the Wind" was still "Blowin' in the Wind," even with a band backing it up.
 
However, the story gets interesting with the recording. The electric rendition at Newport was a new creation, a distinct arrangement with Dylan's vocals woven through the electric soundscape. This recording itself would be considered a separate work protected by copyright. This new copyright would encompass the specific instrumentation, the arrangement, and Dylan's unique delivery. Ownership of this recording copyright could belong to Dylan himself, or potentially his record company, depending on their agreements.
 
The Newport incident throws light on the distinction between copyright for compositions and recordings within IPR. The songs themselves remained Dylan's intellectual property, but the specific recording of his electric performance became a new creation with its own set of rights.
This event also raises questions about the impact of changing technology on IPR. In 1965, the concept of live recordings being widely distributed wasn't as prevalent. Today, with the ease of capturing and sharing performances online, the lines around ownership and control can become even blurrier.
 
Bob Dylan's electric performance at Newport wasn't just a musical turning point; it was a moment that underscored the complexities of IPR in the ever-evolving world of music. It serves as a reminder that as technology and artistic expression continue to intertwine, the conversation surrounding intellectual property rights will remain ever-important.

 
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Lead
partner

Tamara Besednjak Valič

Faculty Of Information Studies In Novo Mesto

e-mail: tamara.valic@fis.unm.si

Communication
leader

Virág Szuák

Pannon Business Network Association

e-mail: virag.szuak@pbn.hu